By Edvard Munch
A truly great experiment of a few super great paintings of Munch. definite, you could thumb via the following and discover a really nice woodcut of The Scream (titled The Shriek during this variation, I think). yet, i do know this publication way more for its iconic illustration of theatre's major guy, August Strindberg.
These woodcuts and lithographs are only tremendous relocating. Can go back to many times...
Printed to coincide with with an exhibition of Munch's paintings in los angeles, January 28 - March nine, 1969
this is a higher artbook than the picasso i uploaded. it isn't quite akin to the Chagall Lithographs booklet i uploaded. it really is most probably that chagall's lithographs might be my favourite artbook add at the tracker. until eventually i experiment a few of my darren waterston exhibition catalogues or something....mmm....
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Additional info for Edvard Munch: Lithographs, Etchings, Woodcuts
Hrrlm Vrrlag H. V Mil) Ml \\, 11,-1, Sqpnl w. li. -i. M Mi. I. I. IIhHrr.. h-r. l fllMIK aaaaJaVJaB, . ili/llillNh hello- GRAPHISCHEN WERKS EDVARD Ml m EDVARD Ml Bruno (. 1-11. 1 M II- 1 |l\s ll- '<(. I BI8 IfN |90" CRAPHISCHI Hlllk EDVARO Ml m ll ETCHINGS <>-> II I ! ••,„, |-. : ,. I u ( . li.. ,„. „ \r,l. ok. Krrlm. I'CH CATALOG dying AND THE MAIDEN Drypoint eleven 1/2x8 1894 0.5" Willoch three impact on Japan paper sooner than metal dealing with of the plate. Signed decrease correct: Edvard Munch in pencil. MUSEUM of excellent ARTS, Boston, William Francis Warden Fund. Sch. 3/1 1/b 2. VAMPIRE 1894 10 3/8 X eight 5/8" WUloch 4/IV Sch. 4/IV published via Felsing, Berlin, on heavy wove paper. Drypoint Signed reduce correct: Ed. Munch in pencil. Of the 1st evenly drawn nation of the plate, Schiefler lists approximately 8 impressions. within the ultimate section of the paintings, as visible the following, the artist emphasised and bolstered a number of the traces. MUSEUM OF superb ARTS, Boston, William Francis Warden Fund. THE ill baby 1894 Drypoint with roulette 14 3/16 Y 10 5/8" Willoch 7/V Sch. 7/V/d Sarvig 281 published by means of Felsing, Berlin, on wove paper with large margins. constructed with dense vertical strains at left. The plate is the following totally LENT ANONYMOUSLY. dialog HOUR 1895 eight X 12 1/4" Etching and aquatint Willoch 11/11 Sch. 12/III/a Sarvig 284 published through Sabo or Angerer, Berlin, on wove paper. Signed decrease correct: E. Munch ninety five in pencil. The male topic is pointed out through Willoch because the Norwegian painter, Karl Jensen-Hjell. Munch carried out a portray of an identical topic in 1885. LENT ANONYMOUSLY. \1oo\i ICH X . - 1 1 • 1 1 i 1895 I 12 . mil