By Bruce Davis
Catalogues the greater than 5000 works of the gathering.
Read Online or Download German Expressionist Prints and Drawings, Volume 2: Catalogue of the Collection PDF
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Additional resources for German Expressionist Prints and Drawings, Volume 2: Catalogue of the Collection
1462. fifty three eighty four Aus einem eighty two neuzeitlichen Totentanz, 1916 (From a glossy dance of demise) Lithograph on wove paper eleven% x 8V4 in. (29. nine x 21. zero cm) From Der Bildermann 1, no. eleven (1916): three provenance: Hauswedell Hamburg, 6-8 June 1974, one hundred eighty REFERENCE: Schult seventy eight EXHIBITION: Reed 265/3 eighty three. 1. 1462. forty three & Nolte, a part of lot eighty four Barlach 23 eighty five Briider, 1916 (Brothers) Lithograph on wove paper ii'/2 x 8'/s in. (29. 2 x 20. 7 cm) From Lieder des Bildermann, complement to Der Bildermann 1, no. 7 (1916), p. three provenance: Hauswedell & Nolte, Hamburg, 6-8 June 1974, a part of lot a hundred and eighty REFERENCE: Schult seventy seven EXHIBITION: Reed 265/8 eighty three. 1. 1462. seventy six 86 Demut, 1916 (Humility) Lithograph on wove paper ii 5/s x eight 9/ie cm) (29. five x 21. eight in. From Der Bildermann 1, no. 1 (1916): provenance: Hauswedell & Nolte, Hamburg, 6-8 June 1974, a part of lot eighty five five one hundred eighty REFERENCE: Schult seventy five EXHIBITION: Reed 265/1 eighty three. 1. 1462. three 87 Dona nobis pacem, 1916 (Give us peace) 86 Lithograph on wove paper 7 x g'/s in. (17. eight x 23. 2 From Der Bildermann (1916): cm) 1, no. 18 1 provenance: Hauswedell & Nolte, Hamburg, 6-8 June 1974, a part of lot a hundred and eighty REFERENCE: Schult eighty two EXHIBITION: Reed 265/7: Chipp 132 eighty three. 1. 1462. sixty nine 88 Der Miide, 1916 (The weary one) Lithograph on wove paper n%6 x 89A& in. (29. three x 21. 7 From Der Bildermann 1, cm) no. four (1916): three provenance: Hauswedell & Nolte, Hamburg, 6-8 June 1974, a part of lot one hundred eighty 89 REFERENCE: Schult seventy six EXHIBITION: Reed 265/2 S3. 1. 1462. 15 89 Selig sind die Barmherzigen, 1916 (Blessed are the merciful) Lithograph on wove paper nine 15 /i6 x eight n/i6 in. (25. three x 22. zero From Der Bildermann 1, cm) no. sixteen (1916): 2 provenance: Hauswedell & Nolte, Hamburg, 6-8 June 1974, a part of lot a hundred and eighty REFERENCE: Schult 8l EXHIBITION: Reed 265/6 eighty three. 1. 1462. sixty two Barlach ninety Wem Zeit (To whom wie Ewigkeit, 1916 time is an eternity) Lithograph on wove paper n /8 x eight /i6 in. five 7 cm) (29. 6 x 21. five From Der Bildermann no. thirteen 1, (1916): 2 & provenance: Hauswedell Hamburg, 6-8 June 1974, Nolte, a part of lot one hundred eighty REFERENCE: Schl>lt seventy nine EXHIBITION: Reed 265/4 S3. 1. 1462. 50 ninety one Der ERNST BARLACH Blinde, 1918 (The blind guy) Lithograph on disguise ed x 43/i6 in. (15. five x 10. 6 From Adolf von 2nd ed. DER Ann DER inventory- cm) ARHE VETTER Hatzfeld, Franziskus, (Berlin: Paul Cassirer, 1918), e. VETTER EINDUCHMIT 34ZEICHNUNGEN VON ERNST DARLACH hide provenance: Kunstgalerie Esslingen, Esslingen; bought in 1975 REFERENCE: Schult 112 VERLEGTBEIPAULCASSIRER eighty three. 1. four a IN ninety two Der arme Vetter 92-1 0ERLINIMIAHREI9I9 92-2 (The negative cousin) textual content quantity with 2 lithographs and portfolio of 36 lithographs on Watteau ERNST BARLACH paper by means of Barlach Illustrations to play (Berlin: Paul Cassirer, 1919) INSCRIPTION: signed and numbered (208/300) on justification web page provenance: Hauswedell & Nolte, Hamburg, 14 June 1973, lot sixty three REFERENCE: Schult II3-52 EXHIBITION: Reed 232 eighty three. 1. five. 1a, b; eighty three. 1. five. 2 a-jj 1. Untitled (title web page 1— textual content volume), 1919 12% x g 7/i6 in.