Download E-books Solomon's Temple: Myth, Conflict, and Faith PDF

By Alan Balfour

A hugely unique architectural historical past of Solomon’s Temple and Islam’s Dome of the Rock that doubles as a social and cultural background of the region

  • The such a lot vast learn of the interrelated historical past of 2 monuments, Solomon’s Temple and The Dome of the Rock, drawing on an exhaustive evaluation of all of the visible and textual evidence
  • Relayed as a gripping narrative, permitting readers to re-enter and adventure the feelings and the visceral fact of the main occasions in its history
  • Integrates representation with the textual content to supply a hugely specific and actual portrait of the key constructions and figures thinking about the background of the temple
  • Opens up a desirable line of wondering into the traditional interpretation of occasions, really Christ’s activities within the Temple
  • Reproduces not often obvious distinctive drawings of the subterranean passages underneath Temple Mount as a part of the British survey within the nineteenth century

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Extra info for Solomon's Temple: Myth, Conflict, and Faith

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It really is entertaining to visualize the way it as soon as seemed, to work out the partitions underneath the dome lined with an analogous sparkling mosaic of average kinds that saturate the internal. Hidden in the back of a continuing inscription from the Qur'an that runs round the parapet on the fringe of the octagon is a stone balustrade of small columns and arches. This, in a extraordinarily Islamic demeanour, used to be suppressed in order to not detract from the phrases of the Prophet. The partitions turned as pages in a e-book. the frilly constitution less than the skin has steered to a few a pre-Islamic lifestyles for the construction, yet fairly it's the statement of Islamic varieties over the construction conventions of Byzantine Syria. within the inside, the drum of the dome sits on a base of reused Roman and Byzantine columns—a pass continues to be carved into one capital—which exchange with vast, marble-clad piers. the mix of the alternating darkish and lightweight marble protecting the arches of the double ambulatory, create an brisk and harmonious composition. Gold mosaic is all over the place above and significant in impact. underneath the dome, depictions of vases and cornucopia, shaped in glass mosaic and mom of pearl, upward thrust above the capitals and piers, sitting inside a mattress of intertwined stylized vegetation, which swarm as much as envelope the dome (Figure five. 2, Plate 16). determine five. 2 Dome of the Rock: part exhibiting mosaic ornament at the inside. From Georg Dehio and Gustav von Bezold: Kirchliche Baukunst des Abendlandes. Stuttgart, 1887–1901 Over the centuries the dome has suffered a couple of collapses, bringing the mosaic down with it. in spite of the fact that, within the higher partitions and coffers of the ambulatories the ornament has survived virtually as Malik might have visible it. the following, the vases and cornucopia of the principal quantity are repeated, yet they proportion the wall with figures that in the first place sight are curious and weird. unlike the glass and mom of pearl that increase the opposite figures, those are encrusted with beneficial stones. One development heavily resembles the crown within the mosaic portrait of Empress Theodora in Ravenna, and this clue is helping deduce that they're representations of crowns and bracelets, breast plates, jewelry and necklaces; the entire regalia and jewellery of the emperors and empresses of Byzantine and Persian courts and likewise the adornment of saints: there's even a hint of the Virgin. A scholar's interpretation47 of the extra elusive figures in those mosaics proposes that they're the precise an identical of the gathering of trophies held in the dice of the Ka'ba. while the items within the Ka'ba have been real—jewelry, lamps, invaluable items of veneration from the top clans of Islam (Malik himself is understood to have contributed necklaces to the gathering, after he either destroyed and restored it)—the figures at the partitions of the Dome are abstractions. They signify Islam's ownership of the wealth of Byzantium and Persia: their subjugation to the single real religion. As such they might were comprehensible to pilgrims of all faiths. forty eight within the internal face of the innermost ambulatory, above those evocative figures, is a textual content in mosaic49 from the Qur'an selected to go with the symbolism of the construction.

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