By Johann Joachim Winckelmann
These finely engraved illustrations of figures from historical faith and mythology supply a compelling research, rather within the mild of the main points imparted through the German scholar’s remark. as well as reproductions of the entire photos from the unique quantity, this version comprises newly translated textual content and captions and an advent that relates attention-grabbing information in regards to the author's lifestyles. this can be the 1st English-language model of Winckelmann's vintage, offering not just a landscape of pleasing attractions from classical civilizations but additionally a tremendous contribution to the literature of artwork history.
Read Online or Download Winckelmann's Images from the Ancient World: Greek, Roman, Etruscan and Egyptian (Dover Fine Art, History of Art) PDF
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Extra resources for Winckelmann's Images from the Ancient World: Greek, Roman, Etruscan and Egyptian (Dover Fine Art, History of Art)
One hundred sixty five: Fragment of a mosaic depicted in a coloured drawing within the Vatican library; the drawing was once previously within the Capponi assortment; the mosaic as soon as belonged to Bianchini [probably Francesco Bianchini (1662—1729), antiquary, astronomer, papal librarian, and writer of a common background released in Rome in 1697]: the announcing at the mosaic, “Know yourself,” was once ascribed to Chilo of Sparta [a urban Justice of the Peace ca. 556 B. C. ], one of many Seven clever males of Greece. 166: Paste gem owned by way of Christian Dehn [see No. 3]: Phrynon, an Athenian invader of the island of Lesbos, is stuck in a web by means of one other of the Seven clever males, Pittacus [died ca. 570 B. C. ]. 167: Paste gem within the Stosch assortment: the playwright Aeschylus [ca. 525—ca. 456] killed via the tortoise dropped by way of an eagle [which suggestion his bald head was once a rock that may cut up the shell and liberate the meat]. 168: “Statuette” within the Villa Albani, came upon with no head, arms, and different elements: Euripides [ca. 480—406] with a [partial] checklist of his performs, in alphabetical order. [Marble; within the Louvre; no palms; Roman replica of an unique of ca. 340 B. C. ; no inscription “Euripides”; was once the unique produced for the reconstruction of the theater in Athens? ] 169: Gem (no situation given): Plato [ca. 427-ca. 347]; the butterfly wings signify the soul and its immortality. a hundred and seventy: Gem from the Stosch assortment: a thinker (Plato himself? ) meditating on dying and immortality. 171: Head of a herm within the Villa Albani: Xenophon [general and historian; ca. 435-354]; he wears the sacrificial wreath which he got rid of, then changed, on listening to that his son had fallen on the conflict of Mantinea [362 B. C. ]. [Very dicy id; this head doesn’t drastically resemble one in Cairo, now taken to depict Xenophon. ] 172: Statue within the Villa Albani: the thinker Diogenes [412-323; the puppy symbolizes the imputation of dogs shamelessness that gave Diogenes’s convention-flouting “school” the sobriquet Cynic (from Greek kyon, kynos, “dog”). ] 173: Head of one other statue within the Villa Albani: Diogenes back. 174: Marble bas-relief within the Villa Albani: Diogenes, within the jar he lived in, at a urban gate of Corinth, telling Alexander the nice to step out of his solar [a legend]. [Roman paintings of the overdue moment century A. D. (no additional information, yet conclusive picture, in my source). ] a hundred seventy five: Over-lifesize head, within the Museo Capitolino, of Alexander the good [356-323], king of Macedonia and conqueror of Egypt and big sections of Asia. [Location nonetheless right; marble; a second-century A. D. replica of a Hellenistic unique; the king is within the guise of the solar god Helios. ] 176: Gem within the Piombino assortment: the Roman normal [Publius Cornelius] Scipio, dubbed Africanus [Major; 237-183]; pointed out by means of the particular scar on his shaved head. 177: old portray within the Villa Albani, came across on the foot of the Palatine hill: Augustus’s spouse Livia [58 B. C. –A. D. 29] and his sister Octavia [ca. 70 B. C. –11 B. C. ] sacrificing to Mars (Octavia should be sporting figs). 178: Marble bas-relief owned through the English sculptor [Joseph] Nollekens [1737-1823] in Rome: a public sacrifice presided over via the emperor Vespasian [A.